Valley of the Biker Chicks

VALLEY OF THE BIKER CHICKS

FADE IN:

ROLL CREDITS

TITLE

“VALLEY OF THE BIKER CHICKS”

CUT TO:

EX. DAY - DESERT

A vast desert stretches off into the far distance, alone on a lone road REBEL JO rides her hog ––it kicks up dust as she passes, making her look like some phantom of vengeance sent from Hell to visit bad ass justice upon the wickedly out of fashion.

A NARRATOR introduces REBEL JO the bad ass biker chick that patrols these Deserts for perps.

NARRATOR

This is the Valley of the Biker Chicks ––when the Fashion Police fail to do their job ––the biker chicks keep law, order and good taste in check…

As REBEL JO rides her hog along the same dirt road she spots a car coming in the opposite direction ––she looks at the occupants as she passes and then she turns around and pursues them ––they’ve committed some violation and now REBEL JO wants sweet, sweet revenge.

She catches up with the car and pulls it over to the side of the desert road, she dismounts her hog and approaches the car’s driver window.

REBEL JO

Name and registration.

PERP

Eh ––what seems to be the problem officer? We were only going 50 ––well within the speed limit.

REBEL JO

I didn’t ask for chitchat perp ––name and registration ––now!

PERP

Okay ––okay, I’ve got it ––here, take it.

REBEL JO

[looking at the Perp’s dress]

What do we have here? Laura Ashley?

PERP

Yeah ––got it on sale ––what’s the problem officer?

REBEL JO

I’m arresting you for driving under the influence.

PERP

Influence? Influence of what?

REBEL JO

The influence of chintz.

PERP

chintz?

REBEL JO

Yeah ––chintz! Don’t you hear so good? What we got here baby is pattern on pattern ––enough to make me sick ––how perps like you think they can get away with such monstrosities is beyond me ––but today baby ––you hit the bottom of the line ––your number’s up ––all the way to Sing Sing baby!

Anyone for Dressage?

From Whom I Take Inspiration

From whom I take inspiration There are all kinds of different challenges to being a designer: communicating with clients to extract the perfect brief to suit their needs; or refining a collection so that it carries a strong single theme all the way through; or even directing an art department to find the perfect print campaign to sell a collection. However, recently I had a short break from all those stressful challenges when a client, Maria Osborne, asked me to design a winning dress for the Punchestown Races Best Dressed Award. Maria had already won the award in 2012, but she had no idea what theme she ought to go for this year. When I was thinking about it I decided to do something which would celebrate a true inspirational design for me: Karl Lagerfeld ––who had only recently passed away, but his legacy at Chanel, for over the almost forty years of his tenure there, can never fade. Karl’s penchant for Post-Modernism ––which values an ironical use of pastiche...

Production Diary

Production Diary I have been thinking for a while now about what I can write about design. This process has intrigued me for over 35 years now. To think up an idea and then bring it into existence is a magical thing . I am a designer for individual clients and work also on my own label. The process differs for my clients because they bring with them their limitations, requirements and style. When designing my own clothes it's only limited by my own imagination. It’s freedom without restriction and it is very exciting. This idea might come from a mood, a song, a film or a painting. Over the years I have developed an aesthetic, which gives your own work a particular look. The next step from the idea is fabric choice. This will depend on the cut and the fall you want to create. The whole way through the process there is a freedom to change, develop and adapt the design. Once I’m happy with my creation, after the fittin...

Joanna London Fashion

Search This Blog